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MUDRY, Pavol. Introduction

GRIJP, Paul van der. Passion and profit: towards an anthropology of collecting. Berlin, Münster: Lit, 2006.

HARRIS, Henry. An Experimentalist Looks at Identity. In: WILLIAMS, Bernard. (ed.). Identity: essays based on Herbert Spencer lectures given in the University of Oxford. Oxford: Clarendon Press, 1995. https://doi.org/10.1093/oso/9780198235255.003.0003

JENKINS, Richard. Social identity. London; New York: Routledge, 1996.

KELLY, John R. Leisure identities and interactions, Leisure and recreation studies 1, London, Boston: Allen & Unwin, 1983.

LAWLER, Steph. Identity: sociological perspectives. Cambridge: Polity Press, 2008.

LÍSKOVCOVÁ, Anna. Zatracení sběrači! O patologickém hromadění věcí. In: PACHMANOVÁ, Martina. (ed.). Mít a být: sběratelství jako kumulace, recyklace a obsese. Praha: Vysoká škola uměleckoprůmyslová, 2008.

NICHOLSON, Linda J. Identity before identity politics. Cambridge: Cambridge University Press, 2008. https://doi.org/10.1017/CBO9780511551956

TALLIS, Raymond. Identity and the mind. In: LEEDHAM-GREEN, Elisabeth, WALKER, Gisela (eds.). Identity. New York: Cambridge University Press, 2010.

WILLIAMS, Bernard. Identity and Identities. In: WILLIAMS, Bernard. (ed.). Identity: essays based on Herbert Spencer lectures given in the University of Oxford. Oxford: Clarendon Press, 1995. https://doi.org/10.1093/oso/9780198235255.003.0001

KISS, Erika, Pál Esterházy’s Pride and Joy: His Schatzkammer in Burg Forchtenstein.

BUBICS, Zsigmond. MERÉNYI Lajos. Herceg Esterházy Pál nádor 1635–1713. Budapest, 1895.
BUZÁSI, Enikő. Önkép és múltkép. Budapest: Martin Opitz Kiadó, 2024.

BUZÁSI, Enikő: Vonzások és választások a gyűjtő Esterházy Pál mecenatúrájában. In: ACS, Pál (ed.). Esterházy Pál, a műkedvelő mecénás. Egy 17. századi arisztokrata-életpálya a politika és a művészet határvidékén. Budapest: reciti, 2015.

ESTERHÁZY, Pál. Harmonia caelestis. 1711.

ESTERHÁZY, Pál. Az Boldogságos Szűz Mária szombatja, azaz minden szombat napokra való ájtatosságok. Szörényi László tanulmányával. Facsimile edition. Budapest, 1995.

FARBAKY, Péter. SERFÖZÖ, Szabolcs. Mariazell és Magyarország. Egy zarándokhely emlékezete. Ausstellungskatalog. Budapest: Budapesti Történeti Múzeum 2004.

GALAVICS, Géza. A mecénás Esterházy Pál. Vázlat egy pályaképhez. Művészettörténeti Értesítő, 37. 3–4, 1988.

HÁRICH, János. Esterházy-Musikgeschichte im Spiegel der zeitgenössischen Textbücher. Burgenländische Forschungen. Eisenstadt: Landesarchiv, 1959.
HORVÁTH, Hilda. Nemzeti kincstárunk, az Esterházy hercegi kincstár 20. századi története. Budapest: Iparműveszeti Múzeum, 2014.

KISS, Erika: ’Ami megvan, az megvan – No de mi lett a hozománnyal?’. Esterházy Pál és Orsolya kincsei. In: VISKOLCZ, Noémi, ZVARA, Edina (eds.). Esterházy Pál és Orsolya levelezése. Esterhazyana I. Budapest: MTA KIK, 2019.

KISS, Erika: ’Czédulák’ egy főúri kincstárból. Adalékok a fraknói tárház történetéhez. Műészettörténeti Értesítő, 60, 2011. https://doi.org/10.1556/MuvErt.60.2011.2.14

KISS, Erika. Die Schatzkammer auf Burg Forchtenstein – wie sie von Pál Esterhazy errichtet wurde. Ungarn Jahrbuch: Zeitschrift für interdisziplinäre Hungarologie, 38, 2022.

KÖRNER, Stefan and KOPP, Margit. Die Bilderwelten des Fürsten Paul I. Esterházy: Gemälde und Bildprogramme. In: BUBRYÁK, Orsoly. (ed.). „Ez világ, mint egy kert...”: tanulmányok Galavics Géza tiszteletére. Budapest: MTA, Műészettörténeti Kutatóintézet, Gondolat Kiadó, 2010.
LHOTSKY, Alphons. Die Geschichte der Sammlungen. Von den Anfangen bis zum Tode Kaiser Karls VI. 1740. Festschrift des Kunsthistorischen Museums zur Feier des funfzigjahrigen Bestandes. II. Wien: Verlag Ferdinand Berger, Horn, 1941–1945.

MAGYAR NEMZETI LEVÉLTÁR (MNL OL). P108 (Archive of Family Esterházy). 1965.

MERÉNYI Lajos. Gr. Esterházy Pál 1664. évi végrendelete. In: Történelmi Tár, 34, 1911.
MINGES, Klaus. Das Sammlungswesen der frühen Neuzeit. Kriterien der Ordnung und Spezialisierung. Münster: LIT Verlag, 1988.
MIOPULOS, Anna Diána. „...fraknói várunkban (egy) új kincstárat építtetünk” – Mesterek tevékenysége a fraknói számlák tükrében. In: KÁDÁR, Zsófia, KÖKÈNYESI, Zsolt and MITROPULOS Anna Diána (eds.). KoraújkorÁSZ, Koraújkor-történettel foglalkozó doktoranduszok tanulmányai. Budapest: ELTE BTK Történelemtudományok Doktori Iskola, 2014.

PÁSZTOR, Emese (ed.). Az Esterházy-kincstár textíliái az Iparművészeti Múzeum gyűjteményében. Thesaurus Domus Esterhazyanae. I. Budapest: Iparmûvészeti Múzeum, 2010.

SAS, Ágnes (ed.). Musicalia Danubiana, 10. Budapest: Magyar Tudományos Akadémia, 1989.
SZILÁGYI, András (ed.). Műtárgyak a fraknói Esterházy-kincstárból az Iparművészeti Múzeum gyűjteményében. Thesaurus Domus Esterhazyanae. II. Budapest: Iparmüvészeti Múzeum, 2014.
VISKOLCZ, Noémi. Az öntörvényű palatinusné – Thököly Éva (1659–1716). Budapest: Kossuth Kiadó, MTA KIK, 2024.
VISKOLCZ, Noémi. ZVARA, Edina. KIRÁLY, Péter. KISS, Erika (eds.). Esterházy Pál és Thököly Éva iratai : I. Levelezés. Budapest: Kossuth Kiadó, MTA KIK, 2022.
VISKOLCZ, Noémi. ZVARA, Edina. KIRÁLY, Péter. KISS, Erika (eds.): Esterházy Pál és Thököly Éva iratai : II. Egyéb iratok. Budapest: Kossuth Kiadó, MTA KIK, 2024.

ÜNVER, Daria. Between Piety and Earthly Pleasure: The Inventory of the Torgau Residence of the Electors of Saxony.
BIERENDE, Edgar. Lucas Cranach d. Ä. und der deutsche Humanismus. Tafelmalerei im Kontext von Rhetorik, Chroniken und Fürstenspiegeln. München: Deutscher Kunstverlag, 2002.

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OCKER, Christopher. Church robbers and reformers in Germany, 1525–1547: confiscation and religious purpose in the Holy Roman Empire. Leiden: Brill, 2006. https://doi.org/10.1163/9789047409984
FINDEISEN, Peter and MAGIRIUS, Heinrich (eds.). Die Denkmale der Stadt Torgau. Leipzig, 1976.
FRIEDLÄNDER, Max J. and ROSENBERG, Jakob (eds). Die Gemälde von Lucas Cranach. Schwartz Gary. Stuttgart: Parkland, 1989.

FOISTER, Susan. Cranachs Mythologien. Quellen und Originalität. In: SCHADE, Werner (ed.). Lucas Cranach. Glaube, Mythologie und Moderne. Ostfildern-Ruit: Hatje Cantz, 2003.
GINZBURG, Carlo. Tizian, „Ovid und die erotischen Bilder im Cinquecento“. In: GINZBURG, Carlo. Spurensicherungen: über verborgene Geschichte, Kunst und soziales Gedächtnis. Berlin: Wagenbach, 1983.

HANIKA, Karin. “Eine offene Tür, ein offenes Mieder“. Das Schicksal der Lucretia zwischen Vergewaltigung und Ehebruch. In: GAEBEL, Ulrike and KARTSCHOKE, Erika (eds.). Böse Frauen – gute Frauen: Darstellungskonventionen in Texten und Bildern des Mittelalters und der Frühen Neuzeit. Trier: Wissenschaftlicher Verlag, 2001.

HANSMANN, Ruth. “Als haben wir angesehen unsers dieners und lieben getreuen Lucas von Cranach Ehrbarkeit, Kunst und Redlichkeit“ Lucas Cranach als neu bestallter Hofmaler in kursächsischen Diensten. In: MÜLLER, Matthias and WESCHENFELDER, Klaus (eds.). Apelles am Fürstenhof. Facetten der Hofkunst um 1500 im Alten Reich. Berlin: Lukas Verlag, 2010.

KRAUSE, Hans-Joachim. Die Schlosskapelle. In: STOCKHAUSEN, Tilmann von (ed.). Torgau: Torgau – Stadt der Renaissance. Dresden: Sandstein, 2003.
LÜDEMANN, Peter. Virtus und Voluptas. Beobachtungen zur Ikonographie weiblicher Aktfiguren in der venezianischen Malerei des frühen Cinquecento. Berlin: Akademie Verlag, 2008. https://doi.org/10.1524/9783050056111

MÜLLER, Matthias. Die Konfessionalisierung höfischer Innenräume. Beobachtungen zur bildlichen Raumausstattung in den Schlössern von Wittenberg and Torgau in: SYNDRAM, Dirk (ed.). Luther und die Fürsten. Dresden: Sandstein, 2015.
MÜLLER, Matthias. Das Schloss als Bild(nis)träger. Zum Wechselverhältnis von Bild und Architektur als Medien höfischer Repräsentation im frühneuzeitlichen Residenzbau des Alten Reichs. In: Stiftung Thüringer Schlösser und Gärten (ed.). Das Kunstwerk in der Residenz. Grenzen und Möglichkeiten der Präsentation höfischer Kultur. Regensburg: Schnell und Steiner, 2011.
MARX, Barbara. Kunst und Represäntation an den kursachsischen Höfen in: MARX, Barbara (ed.). Kunst und Repräsentation am Dresdner Hof. München: Deutscher Kunstverlag, 2005.
MARX, Barbara and VÖTSCH, Jochen. Ein albertinisches Schlossinventar der Residenz Torgau von 1546 (mit Edition). Neues Archiv für sächsische Geschichte, 76, 2005. https://doi.org/10.52411/nasg.Bd.76.2005.S.253-273
MATSCHE, Franz. “Nympha super ripam Danubii“. Cranachs Quellnymphen und ihr Vorbild in: TACKE, Andreas (ed.). Lucas Cranach 1553/2003. Wittenberger Tagungsbeiträge anlässlich des 450. Todesjahres Lucas Cranachs des Älteren. Leipzig: Evangelische Verlagsanstalt, 2007.

MATSCHE, Franz. Lucas Cranachs mythologische Darstellungen in: GRIMM, Claus and ERICHSEN, Johannes (eds.). Lucas Cranach. Ein Maler-Unternehmer aus Franken. Regensburg: Verlag Friedrich Pustet, 1994.

MERSIOWSKY, Mark. Vom Heldenmythos zum Symbol oder Der lange Weg des König Artus von Camelot nach Runkelstein. In: Stiftung Bozner Schlösser (ed.). Artus auf Runkelstein. Der Traum vom Guten Herscher. Bolzano: Athesia, 2014.
MÜLLER, Matthias. Von der allegorischen Historia zur Historisierung eines germanischen Mythos‘. Die Bedeutung eines italienischen Bildkonzepts für Cranachs Schlafende Quellnymphe in: HOPPE, Stephan and MÜLLER, Matthias (eds.). Stil als Bedeutung. Stil als Bedeutung in der nordalpinen Renaissance. Wiederentdeckung einer methodischen Nachbarschaft. Regensburg: Schnell und Steiner, 2008.
NOLL, Thomas. Albrecht Altdorfer in seiner Zeit. Religiöse und profane Themen in der Kunst um 1500. München: Deutscher Kunstverlag, 2004.
PATAKI, Zita Ágota. “Nympha ad amoenum fontem dormiens”. Ekphrasis oder Herrscherallegorese? Studien zu einem Nymphenbrunnen sowie zur Antikenrezeption und zur politischen Ikonographie am Hof des ungarischen Königs Matthias Corvinus. Stuttgart: ibidem, 2005.

PATAKI, Zita Ágota. Wechselbeziehungen zwischen Bild und Text am Beispiel von Lucas Cranachs ruhender Quellnymphe. Mitteilungen des Instituts für Europäische Kulturgeschichte der Universität Augsburg. Sonderheft, 2003.

TACKE, Andreas. Marketing Frederick. Friedrich der Weise in der bildenden Kunst seiner Zeit. In: SYNDRAM, Dirk, FRITZ, Yvonne and ZERBE, Doreen (eds.). Kürfürst Friedrich der Weise von Sachsen (1463–1525): Beiträge zur wissenschaftlichen Tagung vom 4. bis 6. Juli 2014 auf Schloss Hartenfels in Torgau. Dresden: Sandstein, 2014.
WERNER, Elke Anna. Die Schleier der Venus. Zu einer Metapher des Sehens bei Lucas Cranach d. Ä. In: BRINKMANN, Bodo (ed.). Cranach der Ältere. Frankfurt am Main: Städel-Museum, 2007.

DZIVÁ, Zuzana. Verzeichnis von Kupferstichen und Bildern in Preisen, wie sie mich köste... Art Objects in the Wills and Households of Prešov Burghers, 1661–1822.

BALÁŽOVÁ, Barbara. Mešťania banských miest a „Kunst“ v ich domácnostiach. In: RUSINA, Ivan et al. (eds.). Dejiny slovenského výtvarného umenia. Renesancia. Umenie medzi neskorou gotikou a barokom. Bratislava: Slovenská národná galéria, SLOVART, 2009.

ENGELMANN, Wilhelm. Daniel Chodowickis sämmtliche Kupferstiche. Beschrieben, mit historischen, literarischen und bibliographischen Nachweisungen, der Lebensbeschreibung des Künstlers und Registern Versehen von Wilhelm Engelmann. Mit drei Kupfertafeln: Copien der seltensten Blätter des Meisters enthaltend. Leipzig: Verlag Von Wilh. Engelmann. 1857.

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ROBERTS, Daniela. Gothic Revival and Collecting Defining Identity through Alternative Taste.
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AYMONINO, Adriano. Enlightened Eclecticism. The Grand Design of the 1st Duke and Duchess of Northumberland. New Haven, London: Yale University Press, 2021.

AYMONINO, Adriano. The Musaeum of the 1st Duchess of Northumberland (1716–1776) at Northumberland House in London: An Introduction. In: BRACKEN, Susan, GÁLDY, Andrea M. and TURPIN, Adriana (eds.). Women Patrons and Collectors. Newcastle upon Tyne: Cambridge Scholars Publishing, 2012.

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REEVE, Matthew M. Gothic Architecture, Sexuality, and License at Horace Walpole’s Strawberry Hill. The Art Bulletin, 2013, vol. 95, No. 3. https://doi.org/10.1080/00043079.2013.10786082

ROGERS, Kevin. Walpole’s Gothic. Creating Fictive History. In: SNODIN, Michael (ed.). Horace Walpole’s Strawberry Hill. Exhibition Catalogue Yale Center for British Art und Victoria and Albert Museum. New Haven, London: Yale University Press, 2009.

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ROGERS, Lizzie. Conversing with Collecting the World: Elite Female Sociability and Learning through Objects in the Age of Enlightenment. In: LEISS, Arlene and Kacie L. WILLS (eds.). Women and the Art and Science of Collecting in the Eighteenth-Century Europe. New York and London: Routledge, 2021. https://doi.org/10.4324/9780367856670-9

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