Page 7 - The Black Box Book
P. 7
CONTENT
FOREWORD 10
INTRODUCTION 18
Jana Horáková
1 DIGITAL CURATING AND AI CURATING: 28
THE NETWORK OF TERMS
Jana Horáková, Monika Szűcsová
2 THE BLACK BOX: THE LOCK-DOWN 44
CURATORIAL PROJECT
2.1 WHAT TO LOOK FOR IN A BLACK BOX? 48
AN ATTEMPT TO RECAPITULATE THE PANDEMIC
EXPERIENCE IN GALLERY MANAGEMENT
Marika Kupková, Monika Szücsová
Reviewers: 2.2 THE NEW ARCHIVIST 88
Mgr. Zuzana Husárová, Ph.D., Academy of Fine Arts and Design, Bratislava Jana Horáková, Štěpán Miklánek, Pavel Sikora
Mgr. Martin Mazanec, Ph.D., Brno University of Technology
2.3 WEB IS THE KEY. 116
ON THE DESIGN OF BLACK BOX
Alina Matějová, Oliver Staša
3 CURATING ONLINE 2020 136
BY 3.1 2020: WAS IT THE END OF CURATING 140
CC BY 4.0 Creative Commons ON THE WEB?
Attribution 4.0 Marialaura Ghidini
3.2 2020 DIGITAL ODYSSEY: ONLINE OR NOTHING 168
Gaia Tedone
3.3 NETWORKED ART PRACTICE AFTER 192
© 2022 Masaryk University
DIGITAL PRESERVATION
Authors © 2022 Sarah Cook, Marialaura Ghidini, Jana Horáková, Roddy Hunter, Michal Sarah Cook, Roddy Hunter
Klodner, Marika Kupková, Alina Matějová, Štěpán Miklánek, Lukáš Pilka, Pavel Sikora,
Oliver Staša, Andreas Sudmann, Monika Szücsová, Gaia Tedone, Barbora Trnková,
UBERMORGEN 3.4 ECOSYSTEMS AND ARTISTIC RESEARCH 230
IN FORMING DIGITAL CURATORIAL
ISBN 978-80-280-0225-1 (Masaryk University) INFRASTRUCTURES
ISBN 978-80-88313-41-0 (Galerie TIC) Michal Klodner
https://doi.org/10.5817/CZ.MUNI.M280-0225-2022
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