Page 42 - The Black Box Book

Spratt, E. L. (2017). Dream Formulations and Deep Neural Networks: Humanistic Midjourney. (2022). Retrieved from https://midjourney.com/home/?callbackUrl=%-
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p. 1–16. Retrieved from https://edoc.hu-berlin.de/handle/18452/19403 Retrieved from https://mouchette.org/

Tedone, G. (2019). Curating The Networked Image: Circulation, Commodification, My Boyfriend Came Back From the War. (1996). Olia Lialina.
Computation. Ph.D. dissertation. South Bank University, London. Retrieved from https://sites.rhizome.org/anthology/lialina.html

Zylinska, J. (2020). AI Art. Machine Visions and Warped Dreams. London: Open Hu- oμ4×. (2016 - 2020). Igor Štromajer.
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LIST OF CITED ARTWORKS
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Runme.org. Retrieved from https://runme.org/index.html
#exstrange: a curatorial intervention on eBay (2017 - ). Marialaura Ghidini & Rebekah
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ADA, Archive of Digital Art. Retrieved from https://digitalartarchive.at/nc/home.html ed-by-a-machine-experiment-aitnb

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Amazon Mechanical Turk. Retrieved from https://www.mturk.com/ The Next Biennial Should be Curated by a Machine: (NSCAM). (2021).
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Arts & Culture, Google. (2011). Retrieved from https://artsandculture.google.com
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ZKM. Center for Art and Media. Retrieved from https://zkm.de/de
Deep Dream Generator. (2015). Retrieved from https://deepdreamgenerator.com/

DeliNear.Info. (2014). Harm van den Dorpel.
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EAI. Electronic Arts Intermix. Retrieved from https://www.eai.org/

Edmond de Belamy from La Famille de Belamy. (2017). Retrieved from https://www.
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Europeana. Evropská unie. (2009). Retrieved from https://www.europeana.eu/portal/
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ImageNet. Retrieved from https://image-net.org/about.php

LIMA. Retrieved from https://www.li-ma.nl/lima/
Love is the message, the message is death. (2016). Arthur Jafa. Retrieved from
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Media Art History konference. (*2004).
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Media Art Needs Global Networked Organisation & Support. (2004).
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