Page 338 - The Black Box Book

halls of art, it is not appropriate to be serious. The lack of humor kills any R E F E R E N C E S
experiment and any desire to overstep boundaries and expand limits. And
it is boring. No one is interested but a few artists, curators, collectors, UBERMORGEN & Impett, L. & Krysa, J. (2021). The Next Biennial Should Be Curated
and elite art consumers. And they could understand the term curating in by a Machine. Artport, Whitney Museum of American Art. webpage. Retrieved from
its literal meaning: taking care of things. For us, this also includes large https://whitney.org/exhibitions/the-next-biennial
amounts of data. UBERMORGEN & Impett, L. & Krysa, J. (2021). The Next Biennial Should
Be Curated by a Machine. Liverpool Biennial. webpage. Retrieved from
https://www.liverpoolbiennial2021.com/programme/ubermorgen-leonardo-impett-and-
joasia-krysa-the-next-biennial-should-be-curated-by-a-machine/

The Next Biennial Should Be Curated by a Machine. (2021). Exhibition webpage.
Retrieved from https://biennial.ai

QU O TE D A R TIS TI C A N D
C U R AT O R I AL PR O J E C T S

The Next Biennial Should be Curated by a Machine (2021). Commissioned by Liverpool
Biennial and The Whitney Museum of American Art, with support from Liverpool John
Moores University, Pro Helvetia, Federal Chancellery of Austria, and the City of Vienna.
The Next Biennial Should be Curated by a Machine is accessible through the websites
of Liverpool Biennial and the Whitney Museum of American Art’s online platform
artport.

338 339