Page 165 - The Black Box Book

R E F E R E N C E S Segni, G. & Reyes, M. (2021). URL and IRL: Building dialogues and interactions
between contexts with Greencube.gallery. curating.online. (website).
Retrieved from https://www.curating.online/interview/greencubegallery
AORA (2020). About. (website). Retrieved from https://aoraspace.com/about/
Smeigh, S. (2021). Translating networked interfaces and what we expect from them
Canevacci, M. (2020). Minima viralia. La solitudine non solitaria di un antropologo with Projected.Capital and Gallery.Delivery. curating.online. (website).
in quarantena. Rogas.
Retrieved from https://www.curating.online/interview/sebastian-schmieg/
Cook, S. & Graham, B. (2010). Rethinking Curating. Art after New Media. Widget Art Gallery. (2008) Index page. (website).
The MIT Press.
Retrieved from http://www.chiarapassa.it/TheWidgetArtGallery.html
CONT3XT.NET (2007). Curating Media/Net/Art: Circulating Contexts. Retrieved from
https://www.curating.online/wp-content/uploads/2021/06/Hochrieser-Kargl-Thal- QUOTED EXHIBITIONS AND
mair_circulating-contexts_curating-medianetart.pdf
C U R AT O R I AL PR O J E C T S
Dekker, A. (2021). Curating Digital Art: From Presenting and Collecting Digital Art to
Networked Co-Curation. Valiz.
#0000FF (2012). Curated by Georges Jacotey; N/A
Dekker, A. & Ghidini, M. & Tedone, G. (2021, May 4). The Broken Timeline. In Curating
Digital Art: From Presenting and Collecting Digital Art to Networked Co-Curation. Valiz #exstrange (2017). Curated by Marialaura Ghidini and Rebekah Modrak.
and online. Retrieved from https://thebrokentimeline.valiz-makingpublic.net/ Retrieved from http://exstrange.com/

Deitz, S. (1998). Curating on the Web: The Museum in an Interface Culture. In When Is äda’web (1995–1998). Curated by Benjamin Weil and John Borthwick.
the next Museums and the Web? (website). Retrieved from https://www.museweb.net/ Retrieved from http://www.adaweb.com/
bibliography/curating-on-the-web-the-museum-in-an-interface-culture/
AORA (2020). Curated by Jenn Ellis and Ben Allan.
Desktop Is (1997). About. (website). Retrieved from http://www.easylife.org/desktop/ Retrieved from https://aoraspace.com/gallery/
Espenschied, D. & Lialina, O. (2010). One Terabyte of Kilobyte Age. Rhizome, Net Art Art.Teleportacia (1998–). By Olia Lialina. Retrieved from http://www.teleportacia.org/
Anthology. (website). Retrieved from https://anthology.rhizome.org/one-terabyte-of-
kilobyte-age Bubblebyte (2011-13). Curated by Attilia Fattori Franchini, Rhys Coren
and Paul Flannery. Retrieved from http://www.bubblebyte.org/
In Touch (2020). About. (website). Retrieved from https://www.artintouch.in/about/
common.garden (2020–). Conceived by Constant Dullaart.
Lours-Riou, A. & Tan, V. (2021). Presentation of Emotial Interfaces. In Curating on Retrieved from https://common.garden/
the Web, 2-day webinar + workshop. curating.online. (online presentation). Retrieved
from https://www.curating.online/event/curating-on-the-web-subverting-the-mecha- CuratingYouTube (2007–). Curated by Robert Sakrowski.
nisms-and-traditional-models-of-producing-and-distributing-contemporary-art-and-cul- Retrieved from http://www.curatingyoutube.net/about.html
ture/
Desktop Is (1997). By Alexei Shulgin. Retrieved from http://www.easylife.org/desktop/
Ghidini, M. (2019). Curating on the Web: The Evolution of Platforms as Spaces for Pro-
ducing and Disseminating Web-Based Art. In Franco, F. (ed.). Special Issue Art Cura- Dia: Artists Web Projects (1995–). By Lynne Cooke and Sara Tucker.
tion: Challenges in the Digital Age, Arts 2019, Vol. 8 (Issue 3). Retrieved from https://www.diaart.org/program/artistswebprojects
Retrieved from https://www.mdpi.com/2076-0752/8/3/78/htm
Emotional Interfaces (2019–). Curated by Virginie Tan and Astrid Lours-Riou.
Ghidini, M. (2021). curating.online. (website). Retrieved from https://emotional-interfaces.com/
Retrieved from https://www.curating.online/
Field Broadcast (2010–2013). Initiated by Rebecca Birch and Rob Smith.
Greencube Gallery (2017). About. (website). Retrieved from http://fieldbroadcast.org/index.html
Retrieved from https://greencube.gallery/about
Gallery 9 (1997–2003). Curated by Steve Dietz.
Krysa, J. (2006). DATA browser 03 – Curating Immateriality: Retrieved from http://gallery9.walkerart.org/
The Work Of The Curator In The Age Of Network Systems. Autonomedia.
Retrieved from http://data-browser.net/db03.html Gallery Online (2012–2018). Curated by Ronen Shai and Thomas Cheneseau.
Retrieved from https://www.facebook.com/GalleryOnline/
Paul, C. (2009). Online Curatorial Practice — Flexible Contexts and ‘Democratic’
Filtering Author. ARTPULSE (website). Retrieved from http://artpulsemagazine.com/ Greencube.gallery (2017–). Founded by Guido Segni and Matìas Ezequiel Reyes.
online-curatorial-practice-flexible-contexts-and-democratic-filtering Retrieved from https://greencube.gallery/

164 165